Minggu, 30 November 2014

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This updated Seventh Edition of THE SCIENCE AND ENGINEERING OF MATERIALS helps you to develop an understanding of the relationship between structure, processing, and properties of materials. Because the book has more material than is needed for a one-semester course, you will also have a useful reference for subsequent courses in manufacturing, materials, design, or materials selection. The Askeland text emphasizes a science-based approach to materials engineering that highlights how the structure of materials at various length scales gives rise to materials properties. This connection between structure and properties is key to innovating with materials, both in the synthesis of new materials and enabling new applications with existing materials. The science-based approach highlights how materials change with time and due to loading and environment - a key concept that is often overlooked when using charts and databases to select materials.

  • Sales Rank: #203076 in Books
  • Published on: 2015-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.30" w x 8.80" l, .0 pounds
  • Binding: Hardcover
  • 960 pages

About the Author
Donald R. Askeland joined the University of Missouri-Rolla (now the Missouri University of Science and Technology) in 1970 after obtaining his doctorate in Metallurgical Engineering from the University of Michigan. His primary interest has been in teaching, resulting in a variety of campus, university, and industry awards and the preparation of a materials engineering textbook. Dr. Askeland has also been active in research involving metals casting and metals joining, particularly in the production, treatment, and joining of cast irons, gating and fluidity of aluminum alloys, and optimization of casting processes. Additional work has concentrated on lost foam casting, permanent mold casting, and investment casting; much of this work has been interdisciplinary, providing data for creating computer models and validation of such models.

Wendelin Wright is an associate professor at Bucknell University with a joint appointment in the departments of Mechanical Engineering and Chemical Engineering. She received her B.S., M.S., and Ph.D. (2003) in Materials Science and Engineering from Stanford University. Following graduation, she served a post-doctoral term at the Lawrence Livermore National Laboratory in the Manufacturing and Materials Engineering Division and then returned to Stanford as an Acting Assistant Professor in 2005. She joined the Santa Clara University faculty as a tenure-track assistant professor and assumed her position at Bucknell in the fall of 2010. Professor Wright's research interests focus on the mechanical behavior of materials, particularly of metallic glasses. She is the recipient of the 2003 Walter J. Gores Award for Excellence in Teaching, which is Stanford University's highest teaching honor, a 2005 Presidential Early Career Award for Scientists and Engineers, and a 2010 National Science Foundation CAREER Award. Professor Wright is a licensed professional engineer in metallurgy in California.

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Selasa, 25 November 2014

[E756.Ebook] Ebook Make: AVR Programming: Learning to Write Software for Hardware 1st edition

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  • Published on: 1709
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Minggu, 23 November 2014

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Pop Goes the Avant-Garde: Experimental Theater in Contemporary China (Enactments), by Rossella Ferrari

Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China is the first comprehensive review of the history and development of avant-garde drama and theater in the People’s Republic of China since 1976. Drawing on a range of critical perspectives in the fields of comparative literature, theater, performance, and culture studies, the book explores key artistic movements and phenomena that have emerged in China’s major cultural centers in the last several decades. It surveys the work of China’s most influential dramatists, directors and performance groups, with a special focus on Beijing-based playwright, director and filmmaker Meng Jinghui—the former enfant terrible of Beijing theater, who is now one of Asia’s foremost theater personalities. Through an extensive critique of theories of modernism and the avant-garde, the author reassesses the meanings, functions and socio-historical significance of this work in non-Western contexts by proposing a new theoretical construct—the pop avant-garde—and exploring new ways to understand and conceptualize aesthetic practices beyond Euro-American cultures and critical discourses.

  • Sales Rank: #2566564 in Books
  • Published on: 2013-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.40 pounds
  • Binding: Paperback
  • 365 pages

Review
"Ferrari offers a rich, detailed survey of avant-garde and experimental theater in China after 1976 as well as a theoretical inquiry into the usefulness, indeed appropriateness, of categorizing any contemporary theatrical work as avant-garde in the wake of Burger's declaration. . . .This is a resource for those interested in Chinese contemporary theater, interculturalism, the theatrical avant-garde, experimental theater, and performance studies. . . .Recommended." (CHOICE)

About the Author

Rossella Ferrari is lecturer in modern Chinese culture and language at the School of Oriental and African Studies, London. She has published articles in several journals, including Modern Chinese Literature and Culture, TDR: TheDramaReview, JournalofChineseCinemas, Journal of Contemporary China, and Postcolonial Studies.

 

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Pop Goes the Avant-Garde: Experimental Theater in Contemporary China
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Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China is the first comprehensive review of the history and development of avant-garde drama and theatre in the People's Republic of China since 1976. Drawing on a range of critical perspectives in the fields of comparative literature, theatre, performance, and culture studies, the book explores key artistic movements and phenomena that have emerged in China's major cultural centers in the last several decades. It surveys the work of China's most influential dramatists, directors and performance groups, with a special focus on Beijing-based playwright, director and filmmaker Meng Jinghui--the former enfant terrible of Beijing theatre, who is now one of Asia's foremost theatre personalities. Through an extensive critique of theories of modernism and the avant-garde, the author reassesses the meanings, functions and socio-historical significance of this work in non-Western contexts by proposing a new theoretical construct--the pop avant-garde--and exploring new ways to understand and conceptualise aesthetic practices beyond Euro-American cultures and critical discourses.

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Rabu, 12 November 2014

[P420.Ebook] Download Ebook Thomas Reid - Essays on the Intellectual Powers of Man: A Critical Edition (The Edinburgh Edition of Thomas Reid), by Thomas Reid

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This is Thomas Reid's greatest work. It covers far more philosophical ground than the earlier, more popular Inquiry. The Intellectual Powers and its companion volume, Essays on the Active Powers of Man, constitute the fullest, most original presentation of the philosophy of Common Sense. In the process, Reid provides acutely critical discussions of an impressive array of thinkers but especially of David Hume. In Reid's eyes, Hume had driven a deep tendency in modern philosophy to its ultimate conclusions by creating a phantom-world of so-called 'ideas' that sprang from objects of observation; the self was a conglomeration of perceived ideas; and the will as the source of action was nothing but the balance of passionate impulses. Reid's Common Sense philosophy answers these problems by suggesting that sceptics, such as Hume, unavoidably affirm what they purport to deny, namely the existence of a stable external world, of other minds, of the continuity of their own minds, and of their own and other people's ability to ascribe and accept responsibility for actions. We can understand all of this by proper empirical observation and philosophical analysis of the activity of the mind. Reid's major positive contribution to philosophy is a detailed account of the various innate powers of the mind. While particularly influential in the first half of the nineteenth century, Reid's work has retained a significant role in philosophy, not least in recent years. At the same time, his role in the Scottish Enlightenment is becoming much better understood. This is the only properly established text. It is accompanied by manuscript lectures on the nature and immortality of the soul, as well as helpful editorial annotation and introduction, making it useful to a wide variety of readers. Features * Accurate, reliable and critically established text * The Introduction explains the work's genesis and its place in Reid's system * Annotations provide an understanding of Reid's context * An Appendix contains manuscript material covering an important topic not represented in the hitherto published work

  • Sales Rank: #6353453 in Books
  • Published on: 2002-07-17
  • Original language: English
  • Dimensions: 9.21" h x .67" w x 6.14" l, 2.54 pounds
  • Binding: Hardcover
  • 656 pages

About the Author
Derek R. Brookes is the editor of Thomas Reid's An Inquiry into the Human Mind on the Principles of Common Sense (Edinburgh University Press, 1997). He has a PhD in philosophy from the Australian National University. Knud Haakonssen was Professor of History at the University of Sussex and is now a member of the Swedish Collegium for Advanced Study in Uppsala. His books include The Science of a Legislator (Cambridge University Press, 1981), Natural Law and Moral Philosophy (Cambridge University Press, 1996), and editions of Hume, Hutcheson, Reid and Smith. He is General Editor of the Edinburgh Edition of Thomas Reid.

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  • Sales Rank: #14653330 in Books
  • Published on: 1998
  • Format: Student Edition
  • Binding: Paperback
  • 456 pages

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  • Sales Rank: #4704118 in Books
  • Published on: 2011
  • Binding: Paperback

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This is a Girardian-influenced, engagingly written classic on the nature of violence and the hope for overcoming it in our conflict-ridden world. It is also a literary work, an often miraculous interplay between cultural documents and historical periods.

  • Sales Rank: #581107 in Books
  • Brand: Brand: The Crossroad Publishing Company
  • Published on: 1996-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .81" w x 6.00" l, .94 pounds
  • Binding: Paperback
  • 312 pages
Features
  • Great product!

From Publishers Weekly
While politicians, social workers, news commentators and TV evangelists are wringing the nation's collective hands in dismay over mounting social disintegration and violence, Bailie forthrightly sets himself the task of exposing the deep cultural roots of the problem. By synthesizing an astounding array of seemingly discordant perceptions ranging from Bob Dylan songs and the Aztec myth of Tezcatlipoca to Greek tragedy and the Hebrew prophets, he presents a grippingly unified analysis undergirded by rigorous Christian conviction. Writing this challenging book, Bailie explains in an epilogue, "has drawn me ever deeper into the power of Christian revelation." Bailie's vision of prophetic Christianity goes far beyond the conventionally comfortable one held by many churchgoers, some of whom may squirm in the face of Bailie's harsh assessment of how we've come to our culture's fraying and what's to be done about it. On the other hand, those with the patience to follow Bailie through the course of his argument may, as Rene Girard promises in a foreword, be "lifted to a level far superior to what most writers think the average reader is able to absorb."
Copyright 1995 Reed Business Information, Inc.

From Booklist
About a third of the way through his book, Bailie reports a story told by the nineteenth-century Danish theologian Soren Kierkegaard. Kierkegaard witnessed a street fight in which three men set upon a fourth. The crowd watched with growing indignation; then three of the bystanders jumped on one of the attackers and beat him, applying, Kierkegaard noted, exactly the same rules as the offenders. Afterward, Kierkegaard tried to persuade one of the avengers of the illogic of this behavior. But the man would not be convinced, insisting that the attacker richly deserved to have three persons against him. Bailie, whose book is one of a growing number of popular applications of Rene{‚} Girard's theory of mimetic desire, takes a position much like Kierkegaard's, trying to convince the avengers of the illogic of their behavior. He manages a lucid, lively appreciation of Girard that will ring true on many levels (even if one remains unconvinced by Girard's--and Bailie's--claims of uniqueness). Whether it will prove more persuasive than Kierkegaard remains to be seen. Steve Schroeder

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39 of 41 people found the following review helpful.
HARD TRUTHS
By Henry W. Slangal
HARD TRUTHS
In Violence Unveiled: Humanity at the Crossroads, Gil Bailie makes a hard demand of the reader: put aside for this time your cherished preconceptions, and listen. That is not only a hard demand but a risky one for any writer to make, lest he be found foolish. In my judgment, Bailie is not foolish, but prophetic.
Bailie is founder and director of the Florilegia Institute, a kind of Catholic "think tank/apologist." In his analysis of the roots and results of violence, he scrutinizes disparate sources, ancient and modern, including the Bible and current events. He does so both as a Christian and as an anthropologist, peeling away layer by layer the myths and pieties often associated with "The Greatest Book Ever Written." Readers who regard the Bible primarily as a literal statement of God's word may be shocked at many of Bailie's assertions, but they need to remain open to the end of the book and beyond. As well, non- and nominal Christians will be put off by Bailie's unwavering focus on Jesus Christ's role in the unraveling of the power of "sacred violence", but they need to "put on" what Bailie considers to be the fundamental Christian message.
The seminal assertion of Bailie's book is best stated in his quotation from literary critic Northrup Frye: "Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself." All civilizations (according to Bailie) arose out of a sea of chaotic violence, and were in fact established by acts of such overwhelming and consummating violence (the apocalypse) that chaos was stilled and stability reigned. At least for a while, as in the Bolshevik Revolution. This "screen" of history (or myth) is a whitewash protecting the civilization from facing its own founding horrors, especially by shutting away the faces and voices of the countless innocent victims. "History" we admit, is written by those who win. The celebration and ritual re-enacting of this founding act of "sacred violence", now a sanitized myth, is the beginning of religion, with its bloody sacrifices (often human), and its prescriptions and taboos, all intended to placate fickle gods (ideologies) who alone, it is now exhorted and believed, have the power to keep the apocalypse from recurring.
The effectiveness of the founding myth (still according to Bailie) and its ritual re-enactments in maintaining stability has relied on two factors, the first being the ardent acceptance by the members of the civilization of the "sacred truths" of the founding myths, and the second being the non-recognition of the victims. To see and hear the human victim, Bailie points out many times, is to empathize and see through the screen, thereby nullifying its "good" effect.
Bailie argues that Western civilization, over the course of several millenia, has gradually and uniquely come to see the plight and humanity of the victim. It has done this through the Bible of Judeo-Christian culture:
". . . all of the world's religions urge their faithful to exercise compassion and mercy. . . . But the empathy for victims --as victims-- is specifically western, and quintessentially biblical." (p. 19)
The Jews, alone among the ancients, stubbornly wrote or referred to facts about victims in the mix of their writings, thereby creating in much of the Old Testament, including the Pentateuch, the Proto-History, instead of a "sacred history", or myth. The face of the victim may be seen not only in the Psalms and in Isaiah and the prophets, but also in the stories, including those of Abel, of Jonah the reluctant prophet, of Abraham and Isaac, of Moses' empathy with the Jewish slaves; and it reaches its fulfillment in the New Testament, told from the point-of-view of Jesus, the infinitely innocent victim. This is not to say that the Old Testament is a unified treatise condemning violence and defending violence. It is in fact an odd mixture of mythic sacred violence, historical fact, and advocacy of victims. The beauty of Bailie's book is his ability as an anthropologist to unearth the historical facts and extract them from the mythological debris.
There is no need today to document today's escalating cycles of violence. Palestine will more than suffice. The supreme irony in Bailie's thought is that Western civilization's maturing empathy with victims over the centuries has made "sacred" violence unpalatable, and ineffective. This fact is amply documented in the book, as in our refusal to use ground troops to oust Milosevic from Kosovo, and our reluctance to maintain the "peacekeeping force" in Somalia once American servicemen began to suffer significant casualties. The military presence was seen as not only victimized, but ineffective. We may today dwell with sad fascination on the present debacle in Iraq. So much for "shock and awe"! Sacred violence has lost its stabilizing ability to fend off chaotic violence.
The protective screen is fading, but unfortunately the human instinct towards violence remains. Bailie writes at length about the nature of this instinct, rooted in mimesis, the impulse to imitate, to want what another wants, to fall in with the scapegoating mob. It will seem to many readers that we are indeed out of time, out of money, and out of luck.
One need not believe in the resurrection of Christ, or in his divinity, or indeed to believe in his actual historical existence, to appreciate and follow his message: To achieve world peace (a step towards the Kingdom of God), we must all --as individuals, as societies and nations-- completely and irrevocably abjure violence. Bailie is no more sanguine about our prospects than you or I:
"Ultimately, there are only two alternative to apocalyptic violence: the sacred violence . . . and the renunciation of violence. That the former is now impossible, and that the latter seems hardly less so, doesn't change the facts." (p. 25)

19 of 20 people found the following review helpful.
An excellent history of the roots of social violence.
By A Customer
This book presents an excellent analysis of the connection between non Judeo-Christian religious rituals and the need of societies to preserve social order. The author explores the implications of Rene Girard's "Violence and the Sacred", and uses that work as a foundation to explain the social purpose of human sacrifice. This book is startling in its dispassionate observation of cultures past and present, for the author gives much evidence of the role of sacred violence used as a warning not to fall into the chaos of anarchy. The author also gives us a warning of the limits of this tool of social control.

21 of 23 people found the following review helpful.
a profound look at violence in our culture
By gabriel andrade
Jesus' words "I have not come to bring peace, but a sword" are the best way to summarize this extraordinary book. Bailie grabs on Rene Girard's work to carry on a profound journey through mankind and history. The West, and eventually the whole world, according to Bailie, is in a profound state of crisis that is yet to be overcome. The gospels' revelation is presented as a profoundly paradoxical phenomenom. The world is in a state of crisis as a result of the gospel's influence. The gospels have revealed to humaninty what myth had been unable to do for centuries: the sacrificial victim that lies at the foundation of cultural order is innocent. This revelation has completely unstructred the 'sacred', which up to then had kept societies at peace. After a culture receives the gospels' influence, scapgoating no longer works. The gospels tear away the distinction that culture had made regarding violence. This distinction consists in a 'bad' or profane violence, which will lead to chaos and self-destruction, and a 'good' or sacred violence (sacrifice) that is able to put an end to profane violence. The power of the gospels resides in the fact that these distinctions are no longer possible, sacred violence is done away. Through some clever magazine articles and book excerpts, Bailie makes us understand that the world is no longer able to restore peace through sacred violence. The root of the current crisis lies, then, in the fact that sacrificial options no longer work. Jesus warns in a dramatic fashion that he will not bring peace, but instead a sword. Jesus announces that after his death, scapegoating will no longer be possible, therefore, mankind is in danger of engaging in apocalytical violence that sacrifice simply can't solve. This, however, does not mean that Bailie argues that sacrifice is not a feauture of the modern world. The holocaust, Rwanda, Bosnia and the Rodney King beating are all tragic reminders of the presence of sacrifice in our world. But, amazingly enough, people have come to discover that scapegoating solves nothing and find it morally troublesome to perform such actions. Violence is unveiled, it is shown in its real nature

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