Rabu, 29 Februari 2012

[P715.Ebook] Ebook Musical Form, Forms, and Formenlehre: Three Methodological Reflections (Studies in Musical Form), by William E. Caplin, James Hepokoski, J

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Musical Form, Forms, and Formenlehre: Three Methodological Reflections (Studies in Musical Form), by William E. Caplin, James Hepokoski, J



Musical Form, Forms, and Formenlehre: Three Methodological Reflections (Studies in Musical Form), by William E. Caplin, James Hepokoski, J

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Musical Form, Forms, and Formenlehre: Three Methodological Reflections (Studies in Musical Form), by William E. Caplin, James Hepokoski, J

In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of "musical form." They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture).

The volume is divided into three parts, focusing on Caplin's "theory of formal functions," Hepokoski's concept of "dialogic form," and Webster's method of "multivalent analysis" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.

  • Sales Rank: #1225136 in Books
  • Brand: Brand: Leuven University Press
  • Published on: 2010-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x .60" w x 5.90" l, .65 pounds
  • Binding: Paperback
  • 152 pages
Features
  • Used Book in Good Condition

About the Author

James Webster is the Goldwin Smith Professor of Music at Cornell University.

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5 of 5 people found the following review helpful.
Highy recommended for anyone interested in modern-day Formenlehre
By Halvor Hosar
Few times do I feel like writing a truly glowing review. There is always SOMETHING that should have been done differently, or could have been improved one way or the other. Therefore, when there are no obvious warts (or, like in this book, they are turned into something positive; more on that below) I have to avoid writing a pure panegyric eulogy. But in this case I have no choice: Pieter Berge has managed to create a brilliant tome, whose innovative angle will hopefully serve as a model for later publications.

On the surface, I can understand some scepticism: It only contains three essays, yet is sold as a hardcover book for a rather hefty price compared to its size. The brilliance of the project, however, is in the choice of participants and the form of discourse chosen. The article authors, first, are William E. Caplin, famous for his Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven, James Hepokoski, of Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata fame, and lastly, James Webster, famous for his scholarly work on Haydn and all things related, but perhaps especially through his book Haydn's 'Farewell' Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in his Instrumental Music (Cambridge Studies in Music Theory and Analysis). Given the three article limit (and as we'll see there is a good reason for it) the cast couldn't have been better: all three are at the cutting edge of modern day Formenlehre; in fact, the first two are the chief exponents of the Formenlehre tradition in the last decade or two, and for anyone even passingly familiar with the field, Webster's works should speak for themselves as to his relevancy.

Just as important is the form the book has been given. After each essay, each writer is given an opportunity to criticise the content of the previous article. Everyone who has been to musicology symposiums or the like know how interesting such exchanges between the finest minds of the field can be, yet they are always limited by time schedules and the nature of verbal discourse. This book gives each writer an extended opportunity to critique far beyond what one could do during a seminar or the like. After the two replies, the original author is given the opportunity to reply to his colleagues. As the back of the book says the nature of these replies varies from the gently critical to the overtly polemical; one really get the sense of the different personalities of the writers. Neither are the blemishes in the arguments softened out; some comments that probably weren't well enough thought through are chastised thoroughly. The result is a highly enlightening text that nevertheless may point towards faults in all the authors, both in their own thoughts and their understanding of other writer's ideas.

All things considered, I highly recommend this book on all accounts for the reader interested in modern Formenlehre.

0 of 0 people found the following review helpful.
How many dogmatists can dance on the head of a pin?
By Jeffrey Huntington
These are distinguished authors, and specialists may find unique insights in this symposium. However, as a layman, I was reminded of those polemics between philosophers which get nowhere because they are using different words to mean the same thing and the same word to mean different things. At least these authors remain civil. The works under discussion are familiar and accessible, such as Beethoven's Pastoral Symphony, but they all seem to be defective in that they don't conform in every particular to some doctrine. I am willing to consider the possibility that it is the doctrine which needs fixing.

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Maria, My Own Story, by Maria von Trapp

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Maria, My Own Story, by Maria von Trapp

  • Sales Rank: #345488 in Books
  • Published on: 1972
  • Number of items: 1
  • Binding: Hardcover
  • 203 pages

Most helpful customer reviews

118 of 118 people found the following review helpful.
An Honest Story
By A Customer
I recently read all the the reviews of the Trapp Family Singers, which I have also read. One of the recurring criticisms of the book is that it paints a dishonest picture or too rosy a picture of Maria and the Trapp family (This book was written in the late 40's or early 50's.) Several reviewers mentioned the recent story on the TV series, Biography, which told what they felt was the "real story." Well, it's a shame that the book, Maria, is now out of print. This book was published in 1972, and Maria is much more honest about her sad childhood, and she does not leave out many unflattering pictures of herself. She also tells about her time of atheism and how she came back to her faith. One part of the book details how "blazing mad" she was with God after she married the Baron, and felt that God had "rejected" her as His bride. In another part she details her deep guilt after her husband's death, since she felt that in many ways she had made his life miserable by her "terrible temper"--she makes it clear that the Captain was the quiet and gentle parent in the family, and also discusses how much she disliked the fact that the "Sound of Music" portrayed him as a stern disciplinarian. Maria also tells how much trouble she had letting go of "control" of the family business and how she feels she made mistakes as both a wife, mother, and grandmother. So, you see, Biography's "expose" really had to come, at least somewhat, from Maria's own words. The only reason I didn't give the book five stars is that, at times, the writing is a little hard follow in that it jumps around. However, I did get the feeling that Maria was talking and reminiscing, which is part of the reason for the "jumpiness." Maria's earlier book was written in a different time when people didn't reveal as much about themselves as they do now. The later book is not a "tell all" but strikes a good balance in that I think Maria genuinely wanted to let people see her strengths and weaknesses and what God could do with such a flawed and imperfect individual.

9 of 9 people found the following review helpful.
Delightful Story
By MJ Stucky
We have loved the Von Trapp Family for years and read about parts of their life, knowing Maria had a great part in their story. I heard the family sing in the '50's at a small college here in my neighborhood and remember their quaint costumes and unusual songs. Wanting to read more of Maria's story I searced on Amazzon. What a joy to read the book. It came in great condition in a shorter length of time than expected. It's a story for everybody and you will be surprised at Maria's beginnings as a school girl! What a hoot! And what a delight to read "the rest of the story!"

6 of 44 people found the following review helpful.
Maria von Trapp: A Portrait in Self-Contradiction
By A Customer
How do you know when Maria von Trapp is not lying? It is simple. When her lips are not moving. In her first book, written in 1949, she tells of the time she met the Captain and the children for the first time. She describes a scene that is very similar to the scene in the play and in the movie. She even mentions that the Captain used a whistle to call the children.
In this book, she states that the Captain was not at home when she arrived, and that Baroness Matilda introduced the children to her.
Hoping that no one will notice her contradictory lies, she blames the producers of the play for (falsely) portraying her husband as a stern disciplinarian. Well, give me a break. It was her 1949 book, telling of the whistle, that gave them the idea. There is also a chapter in the 1949 book about "the baron doesn't want it."
So, she invents the story, and then blames us for believing it.

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Senin, 27 Februari 2012

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The genealogical dictionary of Rhode Island;: Comprising three generations of settlers who came before 1690, with many families carried to

  • Published on: 1885
  • Binding: Unknown Binding
  • 443 pages

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Minggu, 26 Februari 2012

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  • Original language: French
  • Dimensions: 7.17" h x 2.13" w x 9.72" l,
  • Binding: Hardcover

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Kamis, 23 Februari 2012

[V397.Ebook] Download Ebook Poems That Make Grown Women Cry, by Anthony Holden, Ben Holden

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Poems That Make Grown Women Cry, by Anthony Holden, Ben Holden

Following the success of their anthology Poems That Make Grown Men Cry, father-and-son team Anthony and Ben Holden, working with Amnesty International, have asked the same revealing question of 100 remarkable women. What poem has moved you to tears?

The poems chosen range from the eighth century to today, from Rumi and Shakespeare to Sylvia Plath, W.H. Auden to Carol Ann Duffy, Pablo Neruda and Derek Walcott to Imtiaz Dharker and Warsan Shire. Their themes range from love and loss, through mortality and mystery, war and peace, to the beauty and variety of nature. From Yoko Ono to Judi Dench, Chimamanda Ngozi Adichie to Elena Ferrante, Carol Ann Duffy to Kaui Hart Hemmings, and Joan Baez to Nikki Giovanni, this unique collection delivers private insights into the minds of women whose writing, acting, and thinking are admired around the world.

  • Sales Rank: #494111 in eBooks
  • Published on: 2016-04-05
  • Released on: 2016-04-05
  • Format: Kindle eBook

Review
“The Holdens remind us that you don't have to be an academic or a postgraduate in creative writing to be moved by verse…I defy anyone not to enjoy the Holdens' book: It's plain fun.” (Wall Street Journal)

“Poems That Make Grown Men Cry is an anthology of some of the most emotive lines in literature chosen by 100 famous and admired men, ranging from Daniel Radcliffe to Nick Cave, John le Carré and Jonathan Franzen.” (The Guardian)

“This collection is about the emotional power of art, and the Holdens cast aside any accusations of sentimentality or mawkishness. Anyone who reads Poems That Make Grown Men Cry will be roused, disturbed and exalted by the poems selected.” (Shelf-Awareness.com)

About the Author
Anthony Holden is an award-winning journalist and biographer who has published more than thirty books, including lives of Shakespeare, Tchaikovsky, and Laurence Olivier. He is also the author of three autobiographical books about poker, as well as translations of opera and ancient Greek plays and poetry.

Ben Holden is a writer and film producer. He lives in London and studied English at Merton College, Oxford. With his father Anthony, Ben edited the bestselling Poems That Make Grown Men Cry and Poems That Make Grown Women Cry.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A book to open your heart and mind
By Uberguru
A must have collection of poems curated by two men but recommended by women. The level thing is it is not just the poems but the stories of the
women who selected them, personal, funny and revealing.

0 of 0 people found the following review helpful.
It does
By mabfla
Beautiful and thought provoking. Also interesting. A book you pick up and put down and think

0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
I enjoyed the book , although I found some of the poetry trite...

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Minggu, 19 Februari 2012

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Screenplays: How to Write and Sell Them (Creative Essentials), by Craig Batty

An accessible yet comprehensive guide aimed at those with a keen interest in writing feature film screenplays

Using case studies, creative exercises, and interviews from the industry, this book will guide readers through the necessary stages of writing a screenplay, from finding and developing ideas to creating and executing characters to shaping structure and constructing scenes. It will also consider how a screenplay might be sold, or used to raise interest in the writer, looking at areas such as finding and working with an agent, networking, using competitions, and raising private production funds. The book's approach is both creative and reflective, giving readers the opportunity to learn a wealth of creative skills alongside skills that will encourage them to think about themselves as writers and the work that they are developing. As such, the book will empower readers in their own creative processes and allow them to successfully tell the stories they want to tell. Rich with analyses from classic and contemporary films; littered with practical models, paradigms, and creative tasks; and enhanced by the views of key industry figures; the book is a must for any aspiring feature film screenwriter.

  • Sales Rank: #296011 in Books
  • Published on: 2013-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .70" w x 5.00" l, .45 pounds
  • Binding: Paperback
  • 256 pages

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2 of 2 people found the following review helpful.
Very Good Eclectic Overview
By Brian Michaelson
This small book covers a lot of material, getting the the essence of each topic and giving resources if you want to read further. I originally took it out of the library, but bought a copy because I wanted to read it from cover to cover and keep it in my library.

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Jumat, 10 Februari 2012

[A881.Ebook] Ebook The Wrong Word Dictionary: 2,500 Most Commonly Confused Words, by Dave Dowling

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The correct usage for more than 2,500 commonly misused words is provided in this concise and accessible handbook that assures, insures, and ensures that anyone who wants to communicate accurately and effectively chooses the right word every time. Arranged alphabetically in pairs (or threes when appropriate), entries are carefully cross-referenced and explained with a sentence, guaranteeing that readers find boycott, even when they look up embargo first. Two dozen accompanying cartoons humorously clarify confusing distinctions between words, making this a fun reference for all word lovers to enjoy.

  • Sales Rank: #1784949 in Books
  • Brand: Brand: Marion Street Press, LLC
  • Published on: 2012-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .56" h x 5.09" w x 7.07" l, .40 pounds
  • Binding: Paperback
  • 252 pages
Features
  • Used Book in Good Condition

Review
"Handy to the point of being essential for anyone who uses words pretty much ever, this book is both utilitarian and fun."  —www.PopShifter.com

"Deserves a spot on every home reference bookshelf."  —Daily News

About the Author
Dave Dowling is also the author of The Dictionary of Worthless Words, Images of Steve Reeves, and Steve Reeves: His Legacy in Films. For many years, he worked as a technical writer, editor, and writing instructor in large industry. Years ago he also worked in radio, assisting in the production of the nationally syndicated shows American Country Countdown and American Top 40. He now lives in Saratoga Springs, New York.

Most helpful customer reviews

1 of 1 people found the following review helpful.
No writer/student/reference source should be with out it!
By Thom Hunt
A must have for ALL interested in language Arts & Use. No writer/student/reference source should be with out it! No regrets. I will purchase copies for my friends!

0 of 0 people found the following review helpful.
Love it!
By Michael
Great to flip through and keep around as a reference. Would also make a great back-to-school time item for the student in your life, or any life-long student.

0 of 0 people found the following review helpful.
The book made it all the way to Australia!
By Rodney Marks
Thank you.

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Selasa, 07 Februari 2012

[X392.Ebook] PDF Download Construction Cost Management: Learning from Case Studies, by Keith Potts, Nii Ankrah

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As a construction project manager, achieving this while maintaining quality is the most valuable package you can offer your clients. Of course, its value derives largely from it's difficulty – if it were easy to complete jobs entirely to plan then it would happen rather more often.

Using a combination of worked examples and case studies, this book examines how projects go over-cost, what lessons can be learned from past examples and what approaches have successfully been employed. Example case studies include:

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  • Wembley Stadium
  • Heathrow Terminal 5.

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  • Sales Rank: #4764433 in Books
  • Published on: 2007-09-27
  • Released on: 2008-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.69" h x .73" w x 6.85" l, .0 pounds
  • Binding: Paperback
  • 320 pages

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Acid Test: LSD, Ecstasy, and the Power to Heal, by Tom Shroder

“A book that should start a long-overdue national conversation.” —Dave Barry

Despite their illegality, many Americans are already familiar with the effects of psychedelic drugs. Yet while LSD and MDMA (better known as Ecstasy) have proven extraordinarily effective in treating anxiety disorders such as PTSD, they remain off-limits to the millions who might benefit from them. Through the stories of three very different men, awardwinning journalist Tom Shroder covers the drugs’ roller-coaster history from their initial reception in the 1950s to the negative stereotypes that persist today. At a moment when popular opinion is rethinking the potential benefits of some illegal drugs, Acid Test is a fascinating and informative must-read.

  • Sales Rank: #245854 in Books
  • Brand: Shroder, Tom
  • Published on: 2015-08-11
  • Released on: 2015-08-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .90" w x 5.50" l, 1.00 pounds
  • Binding: Paperback
  • 464 pages

Review
“Shroder filters the psychedelic world [and] presents a compelling case for supporting responsible, rigorous research of psychedelic compounds….Empty your mind of any preconceptions about psychedelic drugs and enjoy a fascinating trip through the politics, science, history, and promise of these controversial chemical compounds.”
—Booklist, STARRED REVIEW

“A well-respected journalist offers evidence, both empirical and anecdotal, about the therapeutic benefits of psychedelic drugs….this clear-eyed account [explores] both the complex history of the issue and the current thinking on the use of LSD, Ecstasy and other psychotropic substances for healing troubled minds….Occasionally, the stories are amusing…often, they’re moving…a perceptive criticism of the failings of America’s war on drugs, and Shroder delivers an important historical perspective on a highly controversial issue in modern medicine.”—Kirkus
 
“[Acid Test] explores the therapeutic possibilities of LSD and Ecstasy (MDMA), and, more broadly, the potential of the human mind….Guided by Shroder’s easy narrative tone, readers follow an activist, a marine, and a physician-turned-psychiatrist who developed a philosophy of psychedelic therapy through self-experimentation….Shroder both informs readers about the drugs’ shadowy pasts and provides insight into the future of mental health.”—Publishers Weekly

“This is not about the 60's. This book reveals the ongoing struggle to create valuable lasting therapies for PTSD in all its forms. Funny, hopeful, and sad by turns, these stories make me believe that someday soon, MDMA will be accepted as valuable, even desirable, to counteract the despair of so many returning veterans and other souls whose lives are turned upside down by PTSD.  If ever interventions are needed, it is now. Acid Test presents an alternative to anguish and anxiety, showing a route of return to balance by use of compassionate therapies along with an outlaw drug. Millions of Americans suffer from the terrors of war or crime , and perhaps soon, we can say help is on the way.”
—Carolyn Garcia, also known as Mountain Girl, a former Merry prankster and wife of Jerry Garcia
 
“Over the last thirty years women have gone from the kitchen to the boardroom, people of color from the woodshed to the White House, gay men and women from the closet to the altar, and all of us have embraced a new vision of life itself on this fragile blue planet. Yet when we recall the factors that unleashed these dramatic transformations there is one ingredient in the recipe of social change that is always expunged from the record: the fact that millions of us lay prostrate before the gates of awe having ingested LSD or some other psychedelic. Tom Shroder’s Acid Test is an inspiring and profoundly hopeful book.”
—Wade Davis, author of The Serpent and the Rainbow

“Tom Shroder has written a book that is at once captivating and utterly surprising, with mind-blowing revelations of a lost history. The scourge of war and trauma and the mysteries of human consciousness fills virtually every one of the gripping chapters. With its impressive research, masterful storytelling and ultimately, the possibility of hope and healing, Acid Test is destined to be an important book.”
—Brigid Schulte, author of Overwhelmed
 
“Acid Test is a trip of a different kind. Tom Shroder makes the hunt for relief from modern wars' biggest killers—depression and post-traumatic stress disorder—come alive in bright, unforgettable colors, characters and emotions.”
—Dana Priest, Pulitzer Prize-winning investigative reporter and author of Top Secret America

“Acid Test is a breath of fresh air after half a century of general hysteria, misinformation, confusion and questionable decisions of scientific, political, and legal authorities concerning psychedelic substances. Tom Shroder's fascinating, well-researched, and clearly written account of psychedelic history, from the discovery of LSD to the current worldwide renaissance of interest in these remarkable substances and revival of research in this area, is a tour de force. Most important—socially, economically, and politically—is the book’s focus on the psychedelic newcomer MDMA (Ecstasy). The pilot studies of this substance suggest that it might play an important role in helping to solve the formidable problem of PTSD that kills more American soldiers than the weapons of enemies.”
—Stanislav Grof, M.D., author of LSD Psychotherapy, The Ultimate Journey, and Psychology of the Future
 
“I read Acid Test with wonder and excitement. Wonder at seeing a controversial topic through Tom Shroder's fresh and lucid eyes. And excitement at the promise of healing that he reveals.”
—David Von Drehle, author of Rise to Greatness: Abraham Lincoln and America's Most Perilous Year
 
“Tom Shroder weaves together three compelling stories with such mastery that Acid Test reads like a first-rate novel. The book is that much more intriguing and consequential though because the stories are true and the subject matter—the healing of post-traumatic stress—of great currency and importance. We need to know how to treat the trauma that afflicts most of the world or we’re in deep trouble.”
—Richard Rockefeller, former chairman of U.S. Advisory Board of Doctors Without Borders
 
“If you think LSD is a relic of the Sixties, or good for nothing except getting high, you need to read this riveting and important book. It’s the fascinating story of how LSD and MDMA can, with controlled use, bring near-miraculous benefits to people suffering from mental trauma. Tom Shroder is a fine journalist and a terrific writer; in Acid Test, he’s written a book that should start a long-overdue national conversation, and someday may help to end a lot of unnecessary suffering.”
—Dave Barry
 
“A captivating narrative with irresistible characters. It will leave you wondering whether we have the moral right to oppose this breakthrough therapy.”
—Gene Weingarten, two-time Pulitzer Prize winning author of The Fiddler in the Subway
 
“Acid Test is a superb book. The people Tom Shroder introduces us to are across-the-board fascinating, the reporting he's done is deep and persuasive, and the writing is dazzling. Best of all, though, is what any open-minded reader will feel after finishing Acid Test: In a world of hurt, here is a new version of hope.”
—David Finkel, Pulitzer Prize-winning author of The Good Soldiers and Thank You for Your Service

“Acid Test is a trip of a different kind. Tom Shroder makes the hunt for relief from modern wars' biggest killers—depression and post-traumatic stress disorder—come alive in bright, unforgettable colors, characters and emotions.”
—Dana Priest, Pulitzer Prize-winning investigative reporter and author of Top Secret America

“Acid Test represents such a critical contribution to our societal awareness, one that I am honored to wholeheartedly support. Faced with the challenge to alleviate the suffering of today's combat veterans, we must open ourselves to considering new modalities, revisiting therapeutic agents criminalized by fear and ideology, and harnessing the power of healing rituals and ancient wisdom. Tom Shroder offers a timely and compelling story of stories, illustrating the struggles and opportunities for hope and healing. Put politics and preconceptions aside; open your mind; read this book; follow the data; and speak truth to power so that scientific rigor and emerging knowledge can lead the way. We owe our fellow humans no less.”
—Loree Sutton, psychiatrist, retired US Army Brigadier General and founding director of the Defense Centers of Excellence for Psychological Health and Traumatic Brain Injury

About the Author
TOM SHRODER is an award-winning journalist, editor, and author. He lives in Washington, D.C.

Excerpt. © Reprinted by permission. All rights reserved.
Foreword

In 1975 I was a twenty-one-year-old college journalist, home on spring break in Sarasota, Florida, when I noticed a blurb in the local news- paper about a charismatic hippie with a pet wolf who was building himself a spectacular house in the woods near town. I decided to go out and see it for myself. I don’t remember anything about the blurb. I doubt it mentioned anything about the inf luence of psychedelic drugs in this project. But I am guessing that I inferred it, because while I didn’t much care about techniques of home building—nor would my college-student readers—I was extremely interested in the implications of the psychedelic experience.

I’m looking at a taped-together, Xeroxed copy of the story that resulted from that visit. Still no mention of drugs, but there it is between the lines. I wrote about the philosophy of the young builder, a guy named Rick Doblin, just a year older than me. It was about try- ing to live authentically, guided by an inner light rather than society’s preconceived ideas; consciously working to discover and create his own destiny rather than trudging along the rutted tracks set before him.

These were the kinds of notions floating around a certain subculture in those days; it was evident in the woodland home itself, with its giant, rainbow-themed, spiritually suggestive stained-glass window. Maybe we discussed psychedelics, maybe we didn't. But they were in the air.

I myself was not entirely unfamiliar. Under the influence of the psilocybin mushrooms my friends and I had learned to pluck from cow dung in the rural fields not far from campus, then boil into tea and drink, I had seen the world-and myself-from a novel vantage point.

It was like being able, for a few precious hours, to climb above your life

and view it from on high, a perspective every bit as revealing as seeing a too-familiar landscape from the top of a mountain. Instead of indi­ vidual cornstalks or oak trees or buildings, you saw checkerboard pat­ terns of fields, serpentine forests following the course of a river, villages arrayed around ascending spires of churches. You saw, for once, how it all fit together.

One experience stands out in my memory, because it is something that I have carried with me, every day since, for four decades. As the drug took effect, instead of feeling the usual lift, I grew increasingly entangled by anxiety. I began to obsess about an ethical problem I was struggling with, which generalized to feelings of inadequacy in life overall and my inability to find solutions.

The more I struggled against these feelings, the weightier and more intractable they seemed. And then s uddenly I had a vision: I saw myself with my arms wrapped around a boulder. I could feel its weight, almost unbearable to hold, and yet I was clinging to it. I knew that the heavy stone consisted of all my doubt s and anxieties, and as I desperately clutched it to my chest, I saw in a flash that part of me chose to be anxious-as a way to avoid making choices and evade responsibility for them. To be free of that awful weight, all I had to do was open my arms, which I did. The stone simply dropped away.

Ever since, although it has rarely been easy, I've been able to see negative emotions, on a profound level, as a choice, and the will to let them go as something I could develop, like a muscle. The more I prac­ticed, the better I got, and I no longer needed the mushrooms to do it.

There wasn't a moment I decided to stop doing psychedelic drugs. When I left the college environment they became less available, and I gained more responsibilities-a job, a family, a professional reputation­ all of which made any illegal activity, and the potential health risks, unacceptable. But I never lost my interest in those psychedelic experi­ ences, or forgot their profundity, and the lasting good they did me.

Ten years after graduation, I had become an editor at the Miami Herald Sunday magazine, Tropic, when I noticed a story in the Tampa newspaper about a perennial college student who was promoting the party drug Ecstasy as a breakthrough in psychotherapy. I did a double take: it was Rick Doblin, the hippie with the house in the woods, the same guy I had written about a decade earlier. I assigned a Herald fea­ ture writer to do a cover story on him. We headlined it: ''A Timothy Leary for the '80s."

Twenty years passed. Now I was editor of The Washington Post Magazine, and once again an article that spoke to my lingering interest in the possible positive effects of psychedelics caught my eye. This time it was in the New York Times, about Harvard initiating a study testing the use of MDMA- Ecstasy- to treat anxiety and depression inter­ minal cancer patients. The man sponsoring the study: a very sophisticated-sounding Harvard Kennedy School PhD named Rick Doblin- the hippie in the woods.

I got a phone number and Rick answered. When I told him my name, he laughed. He not only remembered me and the two stories from twenty and thirty years earlier, he still had copies of them both. And just that morning, he told me, he'd held up the "Tim Leary" cover of Tropic at a board meeting of the Multidisciplinary Association for Psychedelic Studies (MAPS), his nonprofit organization, to demon­ strate how completely he'd remade his image, from a rebellious hippie to the sponsor of cutting-edge scientific research in some of the nation's more conservative institutions.

This time I wrote the story myself, focusing on the MAPS­ sponsored research a psychiatrist named Michael Mithoefer was con­ ducting in Charleston, South Carolina, treating with MDMA-assisted psychotherapy mostly female victims of sexual abuse. The story ap­ peared in The Washington Post Magazine in November 2007, and much of it has been adapted here in chapter forty-two.

I was pleased enough with the piece as published, but I felt it barely scratched the surface, both because of rapidly accumulating develop­ ments in psychedelic research and because I sensed that the signifi­ cance of any given study could not be fully assessed without a deeper understanding of the people behind the studies, not to mention the century-long struggle of Western culture to come to grips with these powerful and, in some ways, profoundly threatening drugs.

This is what I have attempted in Acid Test. Whatever success I have had I owe entirely to the openness and honesty of the principal charac­ ters. Those people listed in the acknowledgments have granted me access to scores of records and privileged documents and agreed to sit for what amounted to a combined total of more than a hundred hours of interviews, unflinchingly answering the most intimate and sensitive questions, revealing things that were personally painful and might very well expose them to negative judgments or significantly compli­ cate their lives.

Their reasons for agreeing to all the above are transparent. They accepted my contention that the full and complete disclosure of all the information surrounding the use and abuse of psychedelic drugs, the history of psychedelic therapy, the motivations of the researchers, and the experiences of the subjects is the best argument for continued and extended support of rigorous and responsible investigation.

I owe a special debt to those among them who have undergone clinical trials to treat debilitating post-traumatic stress, a disorder that makes it particularly difficult and potentially painful to open up. In particular, I am indebted to Donna Kilgore, Tony Made, and, above all, Nicholas Blackston. They all spent hours reviewing their case his­ tories with me, leaving nothing off the record, as well as giving me permission to listen to or watch voluminous audio- and videotapes of their therapeutic sessions. It is hard to imagine a more naked vulnera­ bility than allowing an outsider to witness hours spent delving into your deepest, most charged and haunting intimacies explored under the powerful effect of MDMA. Yet, these people made that sacrifice willingly, for no other reason than a sense of duty. They felt the ther­ apy benefited them and quite possibly saved their lives, and they believed sharing their stories might help make the therapy available to others.

I am moved and awed by their courage.

Most helpful customer reviews

39 of 41 people found the following review helpful.
His PTSD resisted the full range of treatments from the VA until he met … • Michael Mithoefer lived an easy life, Trinity Colleg
By Thomas B. Roberts
What The Grapes of Wrath did for the 1930’s economic calamity, Acid Test may do for today’s PTSD plague. Just as Grapes caught a wave of public opinion and helped produce economic policies, Acid Test catches a wave of changing public opinion about psychedelic drugs and is likely to inform health policies.

Acid Test comes just as research on the psychedelic psychotherapeutics reenters the medical and scientific mainstream. For example, the July 4 issue of SCIENCE, the prestigious flagship publication of the American Association for the Advancement of Science. presented two supportive articles. The first reviews current worldwide research such as that on going at the Johns Hopkins Medical School and at NYU’s Langone Medical School in conjunction with Bellevue Hospital. The second features Rick Doblin, one of Acid Test’s three principal characters.

Starting separately, Acid Test follows the lives of three men from their adventurous young adulthood to socially responsible maturity.

• Rick Doblin is the scion of a North Shore family near Chicago who lived a life of nude swimming, building a handball court and house, and an easy-going life at New College in Sarasota, Florida, until he experienced a life-changing psychedelic trip and dedicated his life to psychedelic psychotherapy by founding the Multidisciplinary Association for Psychedelic Studies. As Shroder writes, “from a rebellious hippie to the sponsor of cutting-edge scientific research in some of the nation’s more conservative institutions.”

• Nicholas Blackston lived in a trailer near Paducah, Kentucky, much bullied as an outsider and because of his strange experiences. He joined the Marine Corps and was deployed to Iraq, where he experienced the terror, fear, violence, guilt, and gore of war—multiple times. His PTSD resisted the full range of treatments from the VA until he met …

• Michael Mithoefer lived an easy life, Trinity College, a commune, medical school, leisurely sailing the Caribbean while home-schooling his daughters on board, an emergency room physician where he became fascinated by the psychology of health and healing. In Acid Test, we see him as a ground-breaking psychiatrist who lead the first government-authorized clinical research using MDMA “Ecstasy” to treat PTSD—at firstmostly for domestic violence and rape cases then treatment-resistant war-related PTSD in the second.

With a novelist’s skill to involve readers’ attention with his characters’ inner thoughts and emotions as well as their actions, the arc of Shroder’s three biographies meet in dramatic psychotherapy sessions lead by Dr. Mithoefer and his wife Annie, a BSN. Other patients that appear include women who were victims of rape and other abuse who also had been resistant to the standard forms oft treatment. Their voices as well as Nicholas’s and all the other characters enliven the book with rich, human dialog.

Tom Shroder is an award-winning journalist, editor, and author of Old Souls, a classic study of the intersection between mysticism and science. As editor of The Washington Post Magazine, he conceived and edited two Pulitzer Price-winning feature stories. His most recent editing project, Top Secret America: The Rise of the New American Security State by Dana Priest and William Arkin, was a New York Times best seller.

Enriching background along the way, Shroder weaves in the histories of many of psychedelic’s leading historical characters: Albert Hofmann and Werner Stoll in Switzerland, Aldous Huxley and Humphry Osmond in the US and Canada, Stan Grof in Czechoslovakia and Esalen Institute, Charles Grob (UCLA) and Roland Griffiths’ (Johns Hopkins). Readers learn the highlights of psychedelic history smoothly integrated into the book’s stories.

Who turn out to be the heavies in this story? The Veteran’s Administration, the Food and Drug Administration, the Drug Enforcement Administration, the National Institute of Mental Health, their cronies in Congress, and irresponsible journalists. All let exciting stories overpower scientific evidence. Until public attitudes towards MDMA changes, they are likely to remain adamant. Acid Test can make those changes.

Unlike impersonal scientific studies, Shroder’s book puts human faces on Nicholas and the female victims of abuse and their suffering, and it puts Rick’s, Michael’s and Annie’s humane faces on those treating it. Acid Test may be the spark that unites Americans by presenting a way to overcome our PTSD plague. We are no longer trapped in a hopeless situation.

What will it take for Acid Test to fulfill its role just as The Grapes of Wrath did? In the 1930’s, groups banded together to fight economic problems and in the 1970’s for HIV-AIDS research and treatment. Acid Test has the power to organize sufferers from civilian violence and their families and friends, activate veterans and their families and friends and organizations, awaken mental health associations, civic organizations, and general citizens to pressure Congress, the VA, and NIMH to fund clinical research into this promising, powerful, yet neglected treatment.

-------------------------end review-----------------------------------
Thomas B. Roberts is author of The Psychedelic Future of the Mind among others and a Professor Emeritus in the Honors Program at Northern Illinois University: niu.academia.edu/ThomasRoberts

21 of 21 people found the following review helpful.
Couldn't put it down!
By Ramen Noodles
This is probably the best written book on the subject of using psychedelics for legitimate medical treatment of various mental health issues that there is. Most people would probably be surprised to learn that a tremendous amount of medical research was done on psychedelics prior to the harsh government crackdown on these incredibly useful medicines. The research was very promising. Through the use of this special and unique class of medicines, it's possible to completely cure (yes, I'm using the "C" word) various mental health issues including depression, anxiety, OCD, PTSD, and others. Researchers were certain that psychedelics had a very bright future in the field of psychiatry.

What happened? The excesses of the 1960's counterculture happened, that's what. The War on Drugs was launched to crack down on the counter culture of the 60's and sadly, unfortunately for those who suffer from debilitating mental illnesses, psychedelics were made illegal in this crackdown, despite strong testimony from medical researchers and practitioners that this class of drugs DID NOT belong in the same category as other Schedule 1 drugs.

In the past few years research has slowly and quietly resumed on the use of psychedelics to treat mental illness. This book gives a brief history of psychedelics, the ensuing government crackdown, and the rise of new medical studies.

This is not a boring read at all. The chapters of the book alternate between the lives of several people including Rick Doblin, founder of the Multidisciplinary Association for Psychedelic Studies (MAPS), and his tremendous efforts to make MDMA-assisted psychotherapy legal. Michael Mithoefer, a psychiatrist involved in ongoing MDMA studies, and Nicholas Blackston, a Marine who developed PTSD while serving as a machine gunner in Iraq. The book is a page-turner and it is written in such a way as to make you want to keep reading to see what happens next.

On a personal note, I discovered psychedelics a few years ago as a way to treat the many years of depression and anxiety that I have suffered. After a trip to the Amazon Jungle last year to use the shamanic brew ayahuasca, I can honestly say that I've experienced a dramatic improvement in my symptoms. I'm not 100% cured yet, but I suspect one more trip to the jungle will take care of that. I just think it's sad that I have to travel to another country in order to get the medical treatment I need. I sincerely hope that the day will come (hopefully very soon) when such treatments are commonly available.

23 of 24 people found the following review helpful.
Well written, more informative than I would have guessed.
By Irwin
I figured it would be a lot of material I already knew, but aside from the stuff about Hofmann it was all new material. I loved hearing Rick Doblin's backstory and gained even more respect for him. Overall it was very inspiring.

See all 56 customer reviews...

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